I believe the 10 artists that created our collaboration are courageous, extraordinarily courageous. I do not think I am alone when I say, I jumped in with both feet and soon was flooded with the complexity of the photo coupled with how to execute it while keeping my own voice.
Here is the photo that I was working with:
I was fortunate that my sister could enlarge and print it to the size of the finished piece (15" wide by 30" high). I used my light-box to trace the major shapes onto tracing paper. I also taped the enlarged photo to a window, overlayed it with muslin and traced the major lines (sidewalk, pond, building outline).
A very large part of this photo is the sidewalk; I did not want it to look like the typical grey concrete. It took two or three trials until I finally ended up with this look:
I used a course fabric, did three different layers of paint/speckles, and finally a pebble quilt stitch. In the end, I am pleased with the look.
An important part of my slice was "the guy"; other members shied away from him while I fell in love with him:
His hair is made up of many, many little French knots. It was made as a separate wig and added to the man at the end. Here are close-ups of the shoes, briefcase, and bag of cans:His jeans are made from denim and his shoes and briefcase are made of leather. I think my favorite is the bag of cans; it is a 3-D object on the quilt. Each can started with a small segment of a wooden dowel then I painted rectangles of fabric with different flavored cans of soda. I glued and wrapped the fabric around the dowel and trimmed the top/bottom of each can with silver trim.
Further in the background is the man with his lawn chair heading to a concert in park. I used wire for the frame and my quilt neighbor was fine that his chair lapped over to her slice.
I enjoy making landscape quilts, but by far I love, love the process of creating the details,
Lessons Learned Creating Collaborative Art:
- Selecting Your Photo: We were fortunate that Carolyn, our fearless leader, auditioned our photo with some of the group. When looking at the photo, it is important to have one item that is going through all of the slices. For our quilt, it was the sidewalk that unified us. Also, think about each individual slice and make sure there is something interesting for each artist.
- Selecting the Artists. Will it be open to anyone in your larger group or do you want to make it an invitational? When considering artists to invite, think about their work. Do they complete things that they start? Or are they always adding to their UFO stack? Do you like what they make? They do not have to match your style (actually a variety of styles is more fun), but you may want to consider their workmanship. How is their communication? Are they good at answering emails? And of course, can you get along with them (especially during stressful times).
- Creating a Smooth Collaboration. You may want to come up with an informal agreement how to handle things affiliated with the collaboration process. Things to think about: You may want to consider milestones for the completion of the quilt. Maybe planning during the first month, patterns made/fabric selected the second month and so on. Now the tough part, what are you going to do if someone is not meeting deadlines and/or stops communicating with the group? When the quilt is completed, what will you do with it? Will it be for sale? Is everyone good with it being donated or put on permanent loan? What kind of liberties can members take? Do you have to have everything that is in the picture on your quilt? Can you add things (i.e., flag poles, street signs, people)? And if you add things, do you have to let the group know? What are the important match-up points for two slices next to each other? This informal agreement does not have to be a contract; I would recommend just getting together as group to come to a consensus how things will be handled. Have one person put it into an email and everyone just needs to reply with an "Agreed".
- Making Your Quilt. We all make quilts and know the size of it, but in this case you must have an exact size for your quilt slice. Sounds easy, right? It is tougher than it sounds. I would suggest as you make your slice, you extend your work at least 1/2 inch all around edges. When you quilt the quilt, it will shrink a bit; it is preferred to cut some finished work off than be short. When you are finishing your quilt slice, if you bind the quilt, you will probably extend the measurement each direction by 1/8 to 1/2 inch. Conversely, if you decide to turn your quilt, you could lose the same amount of inches on each side.
Have I scared you away? Or do you think that you would be interested in taking part in a collaboration quilt? Let me know if you enjoyed my description. If you have a question about the process or would like to add your thoughts about a slice quilt, please add comments to this blog post.
I struggle with taking pictures for my blog; I am always lugging backdrops and lights throughout the house to get the get a good picture and none are ever great. I came up with a crazy idea, my hubby thought it was good and agreed to help with it. I purchased an old fashioned roller shade and mounted it above the storage closet in my studio room. Here is my storage closet:
And here is the shade above the closet:
I roll a small table over in front of the closet to hold my art work:
Pull the shade down and place washers on it to keep it in place:
I am very pleased with the outcome! I am no longing lugging backdrops around the house and if I am working in the studio, it takes less than a minute to set-up and the same to take down.
Do you have any secrets to taking good photos of your work? Post your suggestions as a comment to this blog.
NEXT TIME: How do you handle all those magazine articles with things you want to try (but never seem to get around to it).
Have a great week! Kathy