CHALLENGE: Mystery Material

I often talk about my Art Quilt Group and our monthly challenges.  On our schedule three times this year is incorporating a 'mystery material' provided by one of the members.  A couple of months ago our mystery material was these vintage crocheted stars provided by Jackie.

I decided to rebel a little and make a textile necklace instead of an art quilt. One of my favorite things to 'pin' on Pinterest is textile jewelry. Click for my Fashion- Textile Jewelry board. As I began to plan my necklace, I decided just a bit more rebellion was needed and dyed the stars to match the colors I wear most frequently. Here is the before and after:

I used three strands of book binding waxed cord and sewed a zigzag stitch all of the way down to create the foundation cord. This is one of my favorite techniques! 

To mark felted wool circles so the embroidery stitches were evenly spaced, I used appliqué pins as markers. 

There is thin felted wool between the two stars. 

For the spacer beads, I used plastic pony beads and wrapped silk ribbon around them. 

Already I am wearing this necklace LOTS! It is quickly becoming a favorite. 

Remnants:
If you are looking for more inspiration for textile jewelry, there is a list on TAFA: TAFA Gift Guide: Fiber and Textile Jewelry
 If you are unfamiliar with TAFA, it is The Textile and Fiber Art List is a membership association of handmade traditional and contemporary textiles and fiber businesses. TAFA’s members may exhibit, sell, and teach. Here is their homepage: TAFA.

For me, school starts tomorrow; I am looking forward to being back with the students.  Wish me luck!

Until next week....
Kathy

CHALLENGE: Collaboration Quilt (Part 2)

I talked last week about the collaboration quilt our art quilt group created of Bronson Park in Kalamazoo, MI.  I mainly focused on the quilt as a whole last week; this week I want to focus on behind the scene of my piece and things to consider when creating collaborative art.

I believe the 10 artists that created our collaboration are courageous, extraordinarily courageous.  I do not think I am alone when I say, I jumped in with both feet and soon was flooded with the complexity of the photo coupled with how to execute it while keeping my own voice.

Here is the photo that  I was working with:

  

I was fortunate that my sister could enlarge and print it to the size of the finished piece (15" wide by 30" high). I used my light-box to trace the major shapes onto tracing paper. I also taped the enlarged photo to a window, overlayed it with muslin and traced the major lines (sidewalk, pond, building outline).

A very large part of this photo is the sidewalk; I did not want it to look like the typical grey concrete.  It took two or three trials until I finally ended up with this look:

I used a course fabric, did three different layers of paint/speckles, and finally a pebble quilt stitch. In the end, I am pleased with the look.

An important part of my slice was "the guy"; other members shied away from him while I fell in love with him:

His hair is made up of many, many little French knots.  It was made as a separate wig and added to the man at the end.  Here are close-ups of the shoes, briefcase, and bag of cans:

His jeans are made from denim and his shoes and briefcase are made of leather. I think my favorite is the bag of cans; it is a 3-D object on the quilt.  Each can started with a small segment of a wooden dowel then I painted rectangles of fabric with different flavored cans of soda.  I glued and wrapped the fabric around the dowel and trimmed the top/bottom of each can with silver trim.

Further in the background is the man with his lawn chair heading to a concert in park.  I used wire for the frame and my quilt neighbor was fine that his chair lapped over to her slice.

 

I enjoy making landscape quilts, but by far I love, love the process of creating the details,

Lessons Learned Creating Collaborative Art:

1. Selecting Your Photo:  We were fortunate that Carolyn, our fearless leader, auditioned our photo with some of the group. When looking at the photo, it is important to have one item that is going through all of the slices. For our quilt, it was the sidewalk that unified us. Also, think about each individual slice and make sure there is something interesting for each artist. 
2. Selecting the Artists. Will it be open to anyone in your larger group or do you want to make it an invitational?  When considering artists to invite, think about their work. Do they complete things that they start? Or are they always adding to their UFO stack? Do you like what they make?  They do not have to match your style (actually a variety of styles is more fun), but you may want to consider their workmanship. How is their communication?  Are they good at answering emails?  And of course, can you get along with them (especially during stressful times). 
3. Creating  a Smooth Collaboration. You may want to come up with an informal agreement how to handle things affiliated with the collaboration process. Things to think about: You may want to consider milestones for the completion of the quilt. Maybe planning during the first month, patterns made/fabric selected the second month and so on. Now the tough part, what are you going to do if someone is not meeting deadlines and/or stops communicating with the group?  When the quilt is completed, what will you do with it? Will it be for sale? Is everyone good with it being donated or put on permanent loan? What kind of liberties can members take?  Do you have to have everything that is in the picture on your quilt?  Can you add things (i.e., flag poles, street signs, people)?  And if you add things, do you have to let the group know?  What are the important match-up points for two slices next to each other? This informal agreement does not have to be a contract; I would recommend just getting together as group to come to a consensus how things will be handled.  Have one person put it into an email and everyone just needs to reply with an "Agreed".
4. Making Your Quilt. We all make quilts and know the size of it, but in this case you must have an exact size for your quilt slice. Sounds easy, right?  It is tougher than it sounds. I would suggest as you make your slice, you extend your work at least 1/2 inch all around edges. When you quilt the quilt, it will shrink a bit; it is preferred to cut some finished work off than be short. When you are finishing your quilt slice, if you bind the quilt, you will probably extend the measurement each direction by 1/8 to 1/2 inch. Conversely, if you decide to turn your quilt, you could lose the same amount of inches on each side. 

Whew!  That is a lot to think about!  Better to think before than after!

Have I scared you away? Or do you think that you would be interested in taking part in a collaboration quilt?  Let me know if you enjoyed my description.  If you have a question about the process or would like to add your thoughts about a slice quilt, please add comments to this blog post.

Remnants

I struggle with taking pictures for my blog; I am always lugging backdrops and lights throughout the house to get the get a good picture and none are ever great.  I came up with a crazy idea, my hubby thought it was good and agreed to help with it.  I purchased an old fashioned roller shade and mounted it above the storage closet in my studio room.  Here is my storage closet:

And here is the shade above the closet:

I roll a small table over in front of the closet to hold my art work:

Pull the shade down and place washers on it to keep it in place:

I am very pleased with the outcome!  I am no longing lugging backdrops around the house and if I am working in the studio, it takes less than a minute to set-up and the same to take down.

Do you have any secrets to taking good photos of your work?  Post your suggestions as a comment to this blog.

NEXT TIME: How do you handle all those magazine articles with things you want to try (but never seem to get around to it).

Have a great week! Kathy

CHALLENGE: Collaboration Quilt

Carolyn, from my Art Quilt Group, organized a collaborative slice quilt for members of the group. Here is the panoramic photo that Carolyn took of Bronson Park; she sliced it into 10 pieces, we each picked a slice and our collaboration began.  

I believe all (or most of us) started with such enthusiasm, but then we realized this was much more difficult than first glance.  We began in the Fall of 2014, and played with it (except one member who finished hers within 30 days!).  In February 2015, we received an invite to show our slice quilt at a gallery during our Kalamazoo's monthly Art Hop.  We pulled together and created a work that we are all proud of as shown below:

Here are the individual pieces (in order):

Jackie S.

Jenny G.

Kathy Kerstetter

Ann B.

Diane O.

Jean D.

Carolyn Z.

Sheryl D.

Mary B.

June B.

We were honored when our local Public Radio station, WMUK, came and interviewed us, you can listen to it here:

One Quilt Ten Unique Views of Bronson Park

We ended up with a wonderful Art Hop and all of us are very proud of the final product.  Next week, I will show a close-up of my individual slice and some things to consider if you are going to enter into a collaborative quilt.

Have you ever participated in any collaborative art?  Are you interested in being part of a collaboration?

Remnants

As you may or may not know, I teach at our local community college (and I LOVE my job).  Winter term was probably one of the toughest terms in my ten years at the College. I had almost three new classes to prep and definitely had my hands full.  I woke up most morning at 5:00 am to get a jump on the day and then work late into the evening (can you tell that my blog suffered during this time?).  At the end of the semester, I was exhausted!  I vowed that this summer I was going to take more time to read and create.

Mt favorite place to read at our home is a small balcony that is off of our bedroom; it is over three stories high.  Here is my little heaven:

And the view from above:

 

I love how peaceful this spot is and I feel like I am hiding from the world when I am there.

Do you have a favorite place to slip away to?

Have a wonderful week!  Kathy

ART QUILT GROUP: Surface Design

art is an adventure into an unknown world, which can be explored only by those willing to take risks. ~Mark Rothko

In volume 8 of Quilting Arts' e-mag, 'In Stitches', there is a fun article, 'A Collaborative Collaboration'.

Essentially six different artists conducted a surface design round robin.  My Art Quilt Group talked about it and four members decided to partake.  

Here are the rules from the original group:

• Each of us started with a plain white fat quarter.  
• Each artist added a layer of surface design to each fat quarter, using a variety of techniques.  
• We limited our techniques to surface design methods, so embellishing, cutting, sewing, and collaging were not permitted. 
• Surface design covers such a wide array of techniques that there seemed little danger in running out of new things to try. 
• Dyeing, painting, stamping, printing, discharging- and other techniques- were used by the participating artists.

So for our group, we each needed 4 fat quarters and performed the smae suface treatment on all four pieces.  The next month, these four pieces were given to the next person for them to add another type of surface design.  After four rounds, we each ended up with four different fat quarters.

As the round robin progressed, it became stressful to add an additional surface treatment. We asked ourselves,  "What if after three rounds, I ruin the piece?"  We all agreed that the experimentation was worth the risk.

Here are our results:

Techniques for above piece:

1. Fabric Painting: Setacolor transparent- Ultramarine Blue

2. Resist Dyeing: Flag folded with popsicle stick resist- Dharma's #15Magenta Dye

3.  Fabric Painting: Applied with texture roller- Jacquard Textile Color, #110 violet and #123 white

4. Stamping: Applied with circular daubers- Jacquard Dye-Na-Flow, 822 Sulfur green, Jacquard Textile paint, 123 White, and 568 Pearl

Techniques for above piece:

1. Hand-dyed with Dye Magnet: Dharma #61 Ice Blue

2. Over-dyed with flour paste resist: Procion Mx #086 Forest Green

3.  Printed:Printed with cut leaf shapes from plastic plates

4. Sponge print: Olive green acrylic

Techniques for above piece:

1. Hand-dyed: Navy Procion, double strength

2.  Paint: Yellow acrylic paint

3.  Foil: red foil with steam-a-sem

4. Discharge: Bleach pen on back side 

Techniques for above piece:

1. Hand-dyed: Procion, 072 Medium Blue and 192 Lilac

2.  Printed with Bubble-wrap: Mix of Luminiere Pearl White and Dye-Na-Flow Violet.  Applied with a brayer

3.  Stencil: Freezer paper stencils (used 16 times!)

4. Rubbings: Paintstiks rubbed over a rubber-stamp

We enjoyed this round robin so much we are talking about starting another one next month!  Until then, the challenge is to see who uses one of their fat quarters first!

CHALLENGE: Abstraction

“An idea that is not dangerous is unworthy of being called an idea at all.” -Oscar Wilde

My 12x12 group had the challenge theme- 'Abstraction'.  I really struggle with creating abstract art and this piece was a struggle throughout. I never quite got into it or as the quote says above- it never became 'dangerous'.  I completed the exercise, but still am not happy with the finished piece, even considered disposing of it.

 An interesting struggle was when I  begun hand embroidering circles haphazardly on the top but it looked AWFUL!  I had marked the circles on the fabric with a Pilot Frixion pen (draw with the pen, iron it and it disappears); I love these pens but when you iron it, it takes a little color with it.  To make lemonade out of my lemons, I made circles ALL OVER the piece, ironed it and made it a design element!

I am hoping my next one is more inspiring!

COLLABORATION- Art Show at the Carnegie

Individually, we are one drop. Together, we are an ocean. ~Ryunosuke Satoro

A week ago a group of fiber artists and I had an opening for art show that is being hosted at the Carnegie Center for the Arts in Three Rivers.  Here is the link about the show:
Another Season–Artists Exploring Fiber Art and Mixed Media .

We had an opening on June 8 and below are photos from the reception. I am so lucky to be part of this creative group of women!